Dear Son: Letters and Reflections from First Nations Fathers and Sons
Thomas Mayor
This beautifully designed anthology comes at a time when First Nations peoples are starting to break free of derogatory stereotypes and find solace in their communities and cultures. Yet, each contributor also has one thing in common: they all have a relative who has been terribly wronged – enslaved, raped and dispossessed – because of their Aboriginality.
Featuring letters from Stan Grant, Troy Cassar-Daley, John Liddle, Charlie King, Joe Williams, Yessie Mosby, Joel Bayliss, Daniel James, Jack Latimore, Daniel Morrison, Tim Sculthorpe and Blak Douglas.
A gentle and loving book for families from anywhere in the world. Artwork by proud Kaurna/Ngarrindjeri/Narrunga/Italian Australian artist Tony Wilson, with illustrations and design by Gamilaraay designer Tristan Schultz of Relative Creative.
- Genres Nonfiction Indigenous Mental Health Memoir
200 pages, Hardcover
Published September 1, 2021
About the author
Thomas Mayor
6 books17 followersInstead, he became a wharf labourer from the age of seventeen, until he became a union official for the Maritime Union of Australia in his early thirties. Quietly spoken in character, Thomas found his voice on the wharves. As he gained the skills of negotiation and organising in the union movement, he applied those skills to advancing the rights of Indigenous peoples, becoming a signatory to the Uluru Statement from the Heart and a tireless campaigner.
Following the Uluru Convention, Thomas was entrusted to carry the sacred canvas of the Uluru Statement from the Heart. He then embarked on an eighteen-month journey around the country to garner support for a constitutionally enshrined First Nations voice, and a Makarrata Commission for truth-telling and agreement-making or treaties. Thomas’s journey continues, both in person and through the pages of this book. The book is his gift to the campaign for Voice, Treaty and Truth. Like the Uluru Statement from the Heart, he hopes that all Australians will accept it.
Ratings & Reviews
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Community Reviews
By Thomas Mayor
Foreword by award winning author Tara June Winch
This beautiful, heartfelt and powerful anthology brings together a series of letters from Indigenous men to their fathers, nephews and sons.
It’s an affectionate book of stories, about families, discrimination, love, life, culture, systematic racism and masculinity.
All I can say, is this is must read! Not only will this book of wonderful letters stay with me for a very long time, it’s one that I will re read over and over again. With brilliant prose and poetry, it is humble, raw and vulnerable writing that will touch your heart. It’s also the most beautiful hardcover book with some lovely illustrations peppered thoughtfully through.
Sincere thanks to the team at Hardie Grant for the advanced reading copy
The letters included family traditions, culture, discrimination, life, love and overcoming racism and toxic masculinity. It was a very interesting experience for me reading these letters and seeing the humble, raw and vulnerable writing of these men. I loved the hardcover of the book with the beautiful illustrations, that was incredible and deserved 5 stars.
The reason for the 3/5 stars is because, I did struggle to engage and connect with the letters, despite them being written so well. I do not identify as Indigenous however, I wanted to learn more about the culture and their own individual/family experiences. I thought it was beautiful, but it wasn't written for me.
I would still recommend others to read this and form their own opinions.
The intersectionality of the writers was interesting.
Many of the authors I hadn’t heard of and appreciated the biographies in the back section.
Stan Grant’s passage brought tears to my eyes.
A nicely formatted book.
I saw a new day dawn
As a twinkling star
An ancestor
Come thither and warm
First breath
Heartbeat
Burgeoning cry
Mother's relief
Tears in my eyes.
An important exploration of fatherhood as told from First Nations Australian men. Topics that are so difficult to discuss, discussions that are taboo between fathers and their sons, from sons to fathers. This book is endlessly valuable through the vulnerability and honesty of its authors. Such a wonderful and important work that manages to identify the systemic racism towards Indigenous communities which has unexplainably damaged their families and personal lives for years after Australia's invasion - the letters and poetry use this history as a means to tell the addressee of the letter as well as anyone else reading why they are the father or the son they are and how they can be better. This reflection on being better is something that I rarely come across, the ability to acknowledge that, even despite intergenerational trauma, there is a way to nurture your relationships and raise your children to be good people. There is so much love in these pages, so much acceptance and gratefulness. The collection is a great way for someone such as myself (a white woman) to be educated on subjects of masculinity in relation to culture. It also manages to be wholistic in its approach, the dichotomy of being both incredibly unique to the First Nations' experience as well as being a conversation about fatherhood and masculinity in general. You may see your own father or Pop in the pages of these letters, regardless of cultural background, I certainly did. That again asserts this collection as valuable 1. as an educational tool told from the perspective of First Nations peoples and 2. as an introspective, thoughtful conversation about love and acceptance.
I loved that it represented many parts of Australia and different walks of life.
I sometimes felt like the letter were a little short but despite this was able to feel a connection with each one.